![]() In another essential book, Adobe After Effects CS6 Visual Effects and Compositing Studio Techniques, Mark Christiansen provides an overview of guns effects. This is all rigged up with expressions so all you have to do is position a gun layer in After Effects 3D space and dial in the velocity, wind, and other settings.” Plus, there’s a full 3D particle system for the emission of spent shells. You have sliders to control the color, brightness, and heat distortion effects. “All you have to do is paint some soft blobs in the rough areas where you want a muzzle flash and the comp does the rest. Here’s a few resources to help you put together something believable.įake gun guru Stu Maschwitz seems to have started a craze with an in-depth discussion of guns in DV Rebel’s Guide, which also included a “monster” After Effects template project. ![]() Muzzle flashes by themselves are useless - you need the flash, smoke, a shell, a gun, bullet hits, audio, and more. Muzzle flashes and other gun effects have been popular topics.
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